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2021...Convergence II: The Art Collection of the
..........National Academy of Sciences, pp. 70-71.

2015...Imagining Deep Time, Exhibition Catalog,
..........National Academy of Sciences, pp. 7, 17.

2014...Alana Quinn, JD Talasek, Imagining Deep
..........Time, Issues In Science And Technology,
..........Fall, p. 70.

2014...Helen Thompson, What Does "Deep Time"
..........Mean to You?, Smithsonian Magazine,
..........September 9.

2008 - Present....Biography listed in Marquis
..........Who's Who In American Art.

2008...
Julianne Carroll, rock solid, for artist
..........Rosalie Lang, beauty is all in the details,
..........
The Mercury News, January 3.

2007...Alastair Dallas, Unusual Art at the Tait
..........Museum
,
Los Gatos Times Observer, June 6.

1998...Mary Ann Cook, Main Street,
..........Los Gatos Weekly-Times, Aug 26, p. 4.

1998...Stacey Trevenon, Courtyard is destination
..........point,
Half Moon Bay Review, November 25,
..........p. 8A.

1991...Bob Aldrich, Our Town, Los Gatos Weekly-
..........Times, February 6, p. 4.

1991
...Bob Aldrich, Accessible art, Lang's way,
..........Los Gatos Weekly-Times, February 20, p. 26.

1990
...Marilyn Moyle, Contrast sparks interest at the
..........Pence, architecture reigns at Davis Art Center,
..........
The Davis Enterprise, March 22, p. 7.

1982...Stanford art exhibit, Peninsula Times Tribune,
..........April 7, p. C10.

1982...Rosalie Lang paintings at Bechtel, Campus
..........Report,
April 7, p. 22.

1976...Arts Magazine, January, pp. 28-29.

1974...2 Exhibits Greet '74 at State Museum,
..........Sunday Times Advertiser, Trenton, NJ,
..........January 6, p. 14.

1974...Abstract Painters Exhibit at Museum,
..........
Hackettstown NJ Star Gazette,
..........January 10, p. 11.

1974...State exhibits local artist's work,
..........The Somerset Spectator, January 24, p. 5.

1973...Doris E. Brown, Rocks inspire earth-colored
..........abstracts, The Home News, New Brunswick, NJ,
..........November 16, p. C18.

“Rosalie Lang’s paintings draw inspiration from the aesthetic of rocks photographed along the Pescadero, CA coast. She writes, “I don’t know a rock until I paint it,” underscoring the importance of mark-making in observation and learning. The realism of Lang’s paintings of rock surfaces, combined with the absence of horizon or other cues to scale, may cause viewers’ perception to oscillate between reality and abstraction.”

Issues In Science And Technology, Fall 2014

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